24 hours long power outage!
And,I have not typed a single word for the post planned for today!!
Most unfortunately,beginning Sunday, I have a series of pre-scheduled engagements.
I am sad to make this announcement--- this project(my last post) stands postponed for some time.
1) The very first cursory glance at the title of the post would instantly inform everybody that we are on a completely untrodden path.The anxiety inherent in taking such a path and the surreal ambience of talking 'fifth dimension' make my heart skips its beat like it would 'burst' at any moment.
2) One of the purposes of this preamble is to let it serve as a 'therapeutic potion' for my heart when I would be struggling to produce the 'Main Story' on Saturday.
3) For the 'Main Story',we are going to integrate three 'Yaangs' to let them coalesce into a single coherent story.I would try to be as concise as possible.I would also try to let the diagrams speak for themselves.
4) We need to speak of the context.Every legacy left behind by our architects should be intepreted in two distinct context.One is Manipur-specific narrative and the other,the Asia-wide one.For example when they say "Nongpok Thong Haangni",it could mean--(a)Manipur would start pivoting towards the East and (b) There would be Asia-wide re-awakening.
5) Continuing with (4),we must not shy away from making a bold,even a grandiose,assertion--our architects are aiming for an Asian-wide adoption of 'Paaphal-Yaang-Wa' trinity.
6) What is the need of (5)? Are they saying that we should also start donning the robes of the universally hated preachers?
7) In trying to answer the above question we need to understand the context.First,the architects themselves.They do not belong to any particular 'stream' of people.On the contrary,they are the result of a 'consensus' arrived at a geographical point,called Imphal valley.(With a little digression,it is appropriate for us to remember here at this moment that 'Imphal' means the continuous collision of theses and anti-theses).Second,the 'consensus' takes note of the geo-political perils of the Silk Road vis a vis the West,the vast plains of China vis vis the restless Mongols,the untamed seas vis a vis the psychotic islanders(particularly,Japanese).Third,the 'consensus',understanding the coming upheavals resulting from the above geo-political perils,agrees on the imperative of creating the right condition for enabling some stories to 'hibernate' in some isolated(thus,shielding from the expected upheavals) place like Imphal valley.Fourth,the 'consensus' takes up the arduous task of 'locking up' the stories and equally arduous task of designing the 'hints' to enable the future generation to 'unlock' them at the appropriate time.Understanding the context reveals to us that the 'stories' themselves are the 'consensus' itself.Thus,the question of preaching does not arise at all.(The story of 'Kangla-sha' clearly points to the historic emergence of the 'consensus').
8) Installing the above point as the backdrop,we can now pin-point the Asia-wide dilemma--should we jump up to the 'scientific way of life' leaving the 'borrowed stories' behind? (Here,we are not talking about religion per se).This dilemma presents itself in the form of existential Asian anxiety--not only that,it manifests itself in the mental state of inferiority complex in competing in the global stage.
9) The above problem should be remedied by the Asian re-awakening as envisaged by our architects.
10) All said and done,what is the degree of probability of our architects' dreams coming to fruition?
11) This question should be answered by the 'Main story',planned to be published this Saturday.But this preamble should also shine a brief light on the likely identity of the answer.Common sense tells us that any 'story' coming out a hilly terrain which is mostly identified by the Golden Triangle have zero chance of adoption by any society.But,let us try to race ahead up to that point of time when the state-of-the-arts labs around the globe find out the feasibility of creating futuristic tech by pursuing the vision of the fifth dimension as envisaged bu our architects.At that point of time,there should be huge demand for all the conceivable information regarding our architects and their vision.That might serve as the proverbial inflection point as well.
11) It is the time to wrap up this preamble and step into the next level of building up the 'Main Story'.When it materializes in this four dimensional world,we should have the chance to see what would happen to their vision of the fifth dimension and its likely impact in this existential world.
This is a preliminary finding.I am publishing a preliminary finding because I feel that there is a need for a inter-disciplinary team to study the subject.
I feel that if I continue studying the subject singlehandedly I would go nowhere.
1) When we say 'ku',it is a coffin which denotes a form of space.Again,if we say 'kum',it is season which denote a form of time.Thus our architects use 'time' and 'space' interchangeably.It points to the strong possibility of them understanding the relativity of time and space.
2)Going a little deeper,I have found out that 'ku' is the stripped down representation of four-dimensional co-ordinate.Four-dimensional co-ordinate is used to demonstrate the 'moving now'.
3) In our language,'moving now' can be inferred to as 'pung'.
4) But we have three 'pungs'--'leipung','pung' (the drum) and the 'pung' itself.If we put the graphical representation of 'pung'(cylindrical) on top of the graphical representation of 'leipung' we get a diagram which has a striking similarity to the graphical representation of a 'black hole'.Putting that aside for future study,we come to our 'pung' as represented by the following equation:
pung <=> ku <=> kum
or,pu <=> kung
We come here to emphasize that we cannot find the logical steps followed in making the 'kungba',the 'dense' and 'kuppa',the 'fine-grained and the roofing'.We cannot find the pathways taken by these words to become what they are now.The last resort is to find out how 'kung' happens to relate to 'pu'.
<---------
kung <=> pu <=>
--------->
The first(upper) is to carry the meaning of 'to borrow' and the second,'to carry'. Surprisingly,this process makes us to realize that 'ku' is the point where we can integrate our 'Nuya' with time and space.The following diagram tells the story.
3+6=9
------------>
.Tala .Kun .kuntala
<-------------
3+6=9
3+6 is the rate of 'radiation' with which 'tala' and 'kuntala' are bonding with 'kun'.3 represents 'tillam' and 6 (together with 'tala and 'kuntala'),the 'lairam'.
5) We have integrated 'kun' with 'Nuya'.Now,lets' try to integrate 'pakhangba paaphal' to the above diagram.If we look carefully at the 'paaphal',it can be 'compressed' to a linear objects having distinct nodes.Exactly like our 'Yaang' and 'Laanglen kongyaang wa'.In the above diagram, we have placed the 'Tala' on the first node and continue the process upto the third only.Shortly,we will continue the process upto the 9th node.
6) When we reach the 5th node,we are presented with yet an opportunity to integrate 'Yaang','Yaangkhei' and 'yaangkok'.Here,it is very interesting to note that like 'heekok','Yaangkok' is 'Yaang' in 'kok' condition.Thus,we can deduct that 'Yaangkhei' is the opposite condition of 'Yaangkok'.
7) When we reach this stage,we are presented with yet another opportunity to integrate the concept of 'Sumbal','Suk','Phou','Phoula','Cheng' and 'Wai'.
8) After the completion of these seven steps of integration,we get a glimpse of how our architects view the universe.The integrated diagram tells us the full story.
a) We are integrating all the elements to the 'compressed'state of 'Pakhangba paaphal',which is,of course,a 'Yaang' or a 'Langlen Kongyaang wa'.
b) Thus,we see 'ayaangkok' situated just below the node of 'Yaangkhei',where the 'Yaang' is in 'Khei' condition.Deducting from 'Cheng kheiba',we can safely say that the 'Yaangkhei' is vibrating.
c) At the eight node,'Mariphu' is 'constraint' in its 'Phu' condition by the interactive action of the 'radiation' from the nodes of 'Humphu tala' and 'Mariphu tala'.This interactive radiation also happens at the frequency of (3+6).
d) 'Mariphu' is the state where the standard laws of vibration remains 'disrupted' and this 'disrupted' state is constantly maintained by the interactive action of the 'radiation' from the nodes 'Humphu tala' and 'Mariphu tala'.(When we say 'Chaphu',it denotes both process of, and the device which enables,the 'disruption' of nutrients in the food).
e) In the same way,the node 'Niphu' represents the point where the standard laws of imaginations stands 'disrupted'.Likewise,'Humphu' is the node where the standard laws of 'chemical configuration' remains 'disrupted'.We will come to this in detail in the final and fully integrated diagram.
To get the light to shine our path to the final and fully-integrated diagram,we need to re-visit the story of 'Atiya kulu' and the 'Khoiyums'.As the story goes,the 'Khoiyums' are reluctant to make the 'Universe' happen.Sensing their reluctance,'Atiya kulu' presents them with 'Laanglen Kongyaang wa'.
Integrating this story with the logical flow of our diagram,we can safely say that 'Atiya kulu' instructs the 'Khoiyums' to act on the nodes 'Kun' and 'Mariphu'.
Why?
The reason is that these will enable the 'compressed Paaphal' to 'expand'.
In another words,these will bring the condition of 'Mamei makok chiknaba'.
At his stage,we need to understand 'Khoiyum'.
A) 'Kh(a)' is the force which enables a 'tube' to be regulated.We should not fail to note the relationship of 'tube' and 'Yaang'.
B) 'Kho' is a tiny 'K(h)'.
C) The suffix 'i' is also used to denote an uncountable plural.For example,'Epai houba' is the sensation felt by a woman when subjected to the 'multiple' penetrations at the same time.
D) So,'khoi',in this context,is the swarm of 'Kho's.
E) 'Yu' is the state where the standard rules of this existential world remains 'disrupted'.
Thus,'Khoiyums' turn out to be the swarms of particles beams which do not follow the standard rules of 'this' world.
Now,the massive swarm of particles beams begin impacting the 'Yaang',which predictably produces inense vibration along the nodes in between the nodes of 'Kun' and 'Mariphu'.This phenomenon make the 'Yaang' to expand to its Paakhangba paaphal' state.
We have the final and fully integrated diagram.
By careful reading of the above diagram,we come to the following points:
* We add the prefix 'A' to the concept of 'Yaangkok','Phoula','Sumbal','Suk','Phou','Cheng' and 'Wai'.Here,we are imitating the formation of 'Awaba' from 'Wa'.
** Subject matters specialists(of mathematics,physics etc) should have a hard look at the diagram--not to prove the science behind it but to explore the minds of architects.It would be very enlightening for us to learn our architects had viewed the universe.
*** We need to retrace our steps to one aspect of our premises from where we started out.We had said that we could not trace back the logical steps taken by the terms,'kun','kung' and 'kuppa' to become what they are now. Now,having travelled this far,what is our position?From our diagram,it comes to the light that 'kun' area is being subjected to the massive incidence of particle beams,producing the state of 'Kung' and 'kup'(or the 'kungba'and 'kuppa').Integrating this information with the present day science,it sounds something like 'dark matter'.
**** This point is going to be 'absurd' because we are going to try to connect with the 'Big Bang' narrative from Newtonian standpoint. But we defend ourselves by stating that we are trying to understand how our architects viewed the universe. Our architects seemed to say that we can experimentally find the 'dark matter' SOLELY at around the region of 'Kun' which is,of course,beyond our universe.
***** More than this,are our architects saying that 'dark matter' is the multi-verse itself?
****** If that's the case,consciousness might be a string of coded 'dark matter'.
****** Going further,it stands to reason to say that 'Khoiyums' must be 'super-strings' of 'coded' dark matter and the 'Atiya Kulu' Himself,the 'hyper-super' String of 'coded' dark-matter.
******* Again,going a step further,we can say that 'Khoiyums' and the 'Atiya Kulu' are always present at any given time--sometimes as the clouds of 'uncoded' dark matter and sometimes as the 'Super-strings' and the 'Hyper-super String'.
******** How might these 'codes' come from? It is reasonable to say that they might have emerged randomly as the result of continuous and intense interactions amongst those beams of particle beams.In this context,we need to go into deeper study on the relationship between 'Kun' and 'Kulu'.we need to see if this study shines further light on the nature of those 'codes.
********* The nodes of 'Humphutala','Mariphu' and 'Mariphutala' are the 'death zones' because there the standard laws of 'vibration' stand 'disrupted'.But the process of this 'disruption' is being kept in abeyance by the 'vibration' from 'Humphutala' and 'Mariphutala'.But as soon as the impact of the massive particle beams begin to bear down on these nodes,thses 'vibrations' are quickly cancelled out and the decaying process starts anew.This is likely to produce a super-massive black hole impacting the outer wall of the 'Humphu'.This produces the 'Sumbal-suk' phenomenon.
********** But we need to study the 'Sumbal-suk' even further.Usually,a 'sumbal' is paired with two 'Suks' to the tune of a working song.I am unable find that working song.We need to analyze that working song to see how our architects present the concept 'Sumbal-suk' to us.
As this post is to do with preliminary finding,I can end it with a question as well.
Our NUYA ends on 99999.Is this some kind of a coded object? A coded object,when decoded,might shine further light on the nature of our multiverse?
I will try to answer this question in a separate post.
COROLLARY-1
-----------
We know that a 'Wari' becomes alive only when it is adorned with several 'mataang chaba' moments.If not,we say--'Mataang chade'.From this usage,we are again confronted with 'Wa' and the life-giving distance.If there is not the life giving-distance which are provided by the 'mataangs',the 'Wa' is dead.Here,we need to re-visit the concept of 'Huigang thaangba'.In it,the 'Wa' is already dead just prior to the impending death of the 'dog'.What does this mean? We need to go for further studies.
But as soon as we finish saying the above statement we are instantly impacted with yet another anti-thesis---the concept of 'Toutali'.'Toutali only becomes 'alive' when the 'mataangs' are removed.We need to further go deeper into the relationship between 'Wa' and 'Toutali'.
And,it is becoming super-interesting when we go inside the anatomical facet of the above.In doing so,we find that 'Wari' is the 'vibration' of the 'Wa',which is super cute!
In 'Wahei',the 'hei' should take the meaning of 'khei'.So,our 'H(a)' are not racing towards the female egg in the shortest possible route.In our context,they are travelling in a 'khei' course.This only meeans 'patterened' vibration.Our context tells us that any 'patterned' vibration is possible between the nodes of the 'Wa'.
So,'Wari' is the 'vibration' of the whole 'Wa' whereas 'Wahei',the 'patterened ' ones in between the nodes.
COROLLARY-2
---------
In our childhood,we are drilled into 'understanding' the different stories of attaining 'araan khubam'.
The study of the above diagram presents yet another way of attaining 'araan khubam'.This one is our architects' take on the way of attaining 'araan khubam'.
We should retrace our steps to the story of 'Khoiyums' and 'Atiya Kulu'.we learn that the 'Khoiyums' are reluctant to make the Universe happen because they fear the 'Awaba' of worldy life cycle. To counter this and to ameleorate the 'Awaba' as anticipated by the 'Khoiyums',Atiya Kula' presented them with 'Laanglen Kongyaang wa'.In another words,'Wa' is synonynous with 'Awaba'.
To free ourselves from this 'Awaba',we need to follow the path of 'Awa-Nung-ngai'.
'Nung' here is 'specialized knowledge'.'Ngai' is bonding.
Thus,it is said that we have to understand the process of 'Wa' expanding to the form of 'Paakhangba paaphal',which in turn,forms this universe.
When we have peacefully bond with this knowledge should we be able to free ourselves from the cycle of 'Awa-Nung-gnai'.
