Friday, August 06, 2021

Siyayo





 This is 'lei-e'.It graphically represents a tongue with no activity.








This is 'e-lei'.It is tongue in action.






This one symbolizes a proper and an intelligent expression.We may call it 'e-lei-lei-e'.


These graphical representation constitute the numerical system of the 'Tillam'.


So,the numerical system of our 'Lairam' should start from 'Lim',which is the world of 'vibration'.(My post entitled 'Continuous creation of Angoms and the conceptual underpinning to enable the process').In our society,it is more than reasonable to bring in 'Pena' to represent anything connected with 'vibration'.To make the clearer,I am coming out with a separate post to be entitled,PENA.


The following is the graphical representation of 'Pena'.It must also be the first numeral of our 'Lairam'.












Then,two--

Three--

Four--


Five--

Six--


Seven--



Eight--



Nine--



At this point,we need to slow down a little.We have the pre-conceived idea of '10',which necessiates the deployment of the idea defined by zero.But our main task here is to throw away our pre-conceived ideas and instead,try to creep inside the mind of our architects and find out what might their stream of thought regarding this step be.


So,we are revisiting our Thaabal Leerol'.the second part says--


'Yaangken Sambal

Siyayo siyayo'.


As was already discussed in my two posts with 'Yaoshang','Yaangken' is 'e-lei' and 'Sambal','lei-e'.


1) So,we must search for 'siyayo' in 'e-lei-lei-e'.As we have already noted,'siyayo' represents a 'full and intelligent expression.Thus,'Siyayo' must locate itself at the spot where the transition of 'thought' to 'expression' happens.


To my mind,this perfectly logical.


2) Taking the cue from (1),it is reasonable to posit that 'Siyayo' must also station itself at the transition point between 'Tillam' and 'Lairam'.We have already discussed that the numeral 1 to 3 belong to 'Tillam' domain.So, the transition of 'Tillam' to 'Lairam' happens at the spot where the numeral '3' ends and '4' starts.


3) For 'lairam purpose,we must start with 'Lim'.Reckoning from 'Lim',the spot we are searching for is foundbetween 'Ngaam' and 'Ma-nga'.In its intrinsic value,'Ngaam' is negative and 'Ma-nga',positive.So,our architects say that 'Siyayo' is to be found between the 'negative' and the 'positive'.


This perfectly agrees with our pre-conceived idea of zero.


4) Now,let's try to find our 'Siyayo' from the precept 'Thawai ma-nga meega thana taruk'.


We need to go to our alphabets.


Next,let' choose six alphabets(in their original order) which would be best suited to represent the 'thawai ma-nga and mee'.


Let's draw a line connecting the first five elements.












Then,another one,connecting all the six elements.













Finally,let's arrange a 'meeting' of these lines.


This is two straight lines joining together to make enable piggy-backing a circle.


We can also see two numbers of 'Yaangken' and 'sambal'.


5) Continuing with our main discussion,what should be he graphical representation of our 'Tala'? Should it be like the following?






For finding this answer,we need to visit our 'Thaabal Leerol' for the second time:                                           

'Yaangken Sambal

Siyayo siyayo'.


At the first glance,we notice that the term 'siyayo' is repeated.And,it is quite resonable to think that they are doing it for 'rhyming' purpose.


Is there another lausible reason for the repeat mention of 'Siyayo'?


It might be a riddle pointing towards a 'cue'.To my mind,the 'cue' is directing us to study more minutely the 'second' object.Of course,the second is 'Sambal'.


a) In our daily usage,'Sambal' is fence,which needs to stand erect('lei-e') to serve its purpose.


b) 'S(a)' is something situated in the 'middle'.So,'Sam' is a group of things in the middle.'P(a)' is the protective force,which,together with 'L(a) becomes the 'expanse' of the 'protective' force.This force protects the group og things in the middle.This is quite logical.


c) Now,let's come to our final context.Here,'Sam' becomes the face or the identity of 'S(a)'.And,'Pal' becomes the institutionalized or established knowledge.To know 'Sam' we have to take the help of this kind knowledge.


If we look at the 18th diagram above with the eyes of an 'institutionalized or established knowledge',it takes the following form:


This is two lines forming x and -x axis and at the same piggybacking a circle.Now,let's add the y-axis.



So,the y-axis passes at the centre of the circle but the x-axis and -x-axis do not.This only means that our circle is not the origin.A circular object which DOES not mark down the origin but,at whose centre, the y-axis passes through--what is that?


Definitely,zero.


So,our 'Thaabal Leerol' says that the following depicts our 'Tala'.


POSTSCRIPT

I was so busy drawing diagrams that I had failed to explain the logical steps in developing the numerals.


1. It is derived from the graphical representation of Pena.The reason is that the world of vibration('Lim') can be represented by Pena.


2. World of no vibration.The graphical representation is a 'dead' Pena.


3. If we flip the graphical representation of Pena vertically,it will become 'unstable'('Ngam').


4. We 'stabilize' (3).


5. This graphical idea is that it represents the 'pulled' 'Pa' from x-axis towards the -x-axis(trying to convey the message that 'K(a)' ie the 'positive' travels towards 'T(a)',the 'negative')


6. It is the mirror image of (5).


7. It is the graphical representation of 'P(a).


8. Here,we 'stabilize' (7).


9. The graphics here tries to portray the journey of a point from near the origin towards the x-axis(courtesy of Pena graphics).


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