As we had anticipated yesterday, there is one longish letter to the editor in Poknapham today. We have to note here that letter to the editor is just below the op-ed and anybody reading Poknapham won’t have any chance to miss the point that there have been continuous three-part articles since R K Bidur’s op-ed.
And the writer of the letter is, who else, one Tomba! Of course, the letter completes the circle that R K Bidur’s op-ed was meant to initiate.
I’ll try to give a separate gist for each of the three articles.
But first let me try to translate—
‘Manipuri filmgi oipham thokpa mashak’.
May I do it like this—
‘The identifying characteristics of Manipuri cinema’?
R K BIDUR
By the very nature of cinema, it is likely to be untenable to seek the identifying characteristics of Manipuri cinema, for that matter, of any other societies as well.
(But we have Hong Kong Cinema exactly because there are some identifying characteristics for them. Likewise, Bollywood, French cinemas etc. There are even some differences between a Hollywood flick and an indie film. Here R K Bidur fails to convince us. Though I’ve to disclose that I’m quite biased here. I’m all for finding those identifying characteristics for Manipuri cinema).
It is wrong on the part of the government of Manipur to give permission to screen the digital films in theatres because they are only meant for video parlour.
(The world is witnessing the slow but sure shift in the distribution of cinema—the shift is towards digital distribution. Some of the Mumbai-based film distribution companies are seeding digital projectors in theatres of the they call the c-class township across West Bengal, parts of Bihar and UP. One Chennai-based start-up is going in for satellite distribution in collaboration of Hughes. So, here we have to say that R K Bidur is not well informed of the technological changes taking placing so rapidly)
The Government of Manipur is shirking off its responsibility to promote Manipuri cinema.
(What we can say about the relation between a government and the cinema of the society? We choose to call R K Bidur part of the old guard for some reasons,isn’t it?).
MEGHACHANDRA KONGBAM
His first point is in the same vein as the second point of R K Bidur.
His second point—now Manipur cinema has absolutely no chance of winning a national award. Because we are going digital which is completely different format from other regional films competing for the national awards.
(Well, everybody knows that national awards for regional films are some kind of quota system—last year Tamil, this Malayalam…like that. Personally, I don’t care for those awards.)
TOMBA(Who are you?!?)
He is very explicit on all the points on which the above two are absolutely diplomatic.
He says we have no equipments for digital film making.
(Is he referring to hardware?).
So, let’s call the present digital film as video films. Video films’ place are in video parlours—not the cinema theatres.
(What can we say about this?).
Anybody born in Manipur should be well aware of its culture. That awareness should, as a matter of fact, be reflected on films. No further efforts required to educate anybody connected with film about Manipuri culture.
(Is he saying there is no further need for workshops?).
Thursday, May 11, 2006
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