Last night,I was so completely attentive to the radio programme featuring Mr Naoroibam Indramani's dissection of 'Kangla-sha'.At this very ouset,I must put my 'prejudice' displayed publicly--I was so attentive because I wanted to see if there was any link between the Shu Kingdom(My last post) and 'Kangla-sha'.
The main gist of the programme is the statement that we usually call it 'Kang-sha' beacause we find it erected inside 'Kangla'--the actual name is 'Nongsha'.(Kangla-sha was built by the khagis,as a gift to Manipuri people,during the reign of King Mungyaamba).
So,let's begin our discussion with 'Nongsha'.
1) 'No' is micro-appendage.
2) 'Nong' is the micro-appendage to which life is bestowed.In our daily usage,'nong' is rain,which ceratinly rhymes with our deduction here.
3) In another facet of this deduction,we can see it as 'every micro-appendages of a system which has a life of its own'.
4) In case of 'Kangla-sha',it should be deducted that every appendage or part has a coded message.
5) So,how we choose a part of 'Kangla-sha' to begin our discussion? I think we must home in to its horns because they are the distinguishing features.
6) Horn is 'machi'.As has been discussed in many recent posts,the original term should be 'chim'.'Chim' is different worlds of nutrients or differnt stories of nutrients.When we say 'machi',it means a single or individual story of nutrient.Horn and 'nutrient'? Let's see it in the next step.
7) In coming to this step.we have to bring in my 'prejudice'--the Shu civilization.If we do that,'machi' becomes 'machu'.As in the last step,the original term is 'chum'.'Chum' is different stories of 'ch(a)' which is rooted.It means( as in our daily usage), 'juice'.So,we can also say--'different stories of nutritious juices'.Then,we come to 'chumba'(truth),which says that 'juices' of any different things never lies.In 'machu',it says any particular 'juice' of that particular thing determines its 'machu'(colour).
8) Reading together (7) and (8),we can now put our fingers on the part of the story where code-compilation of message in 'Kangla-sha' happens.
(9) We must ask this question now--does (8) justify our arbitrary pulling in of our 'prejudice' in this discussion?
(10) It is time to move to the 'colours' of the 'horns'.One horn is wrapped by golden foil,the other by silver.So,our desired colours are golden and silver.
(11) Let's proceed by retracing the same steps taken up in the code-compilation process in 'Kang;a-sha'.
(12) So,'shana' should be 'na' and 'sh(a)'.
Here,we must re-visit a common usage--'Naak lounaba'.It means forming a group of like-minded people.
Going by this,'na' together with 'sh(a)' become 'people in intermediate state or place'.
It clearly points to Shu civilization(My last post).
13) 'Lupa' should be 'pa' and 'lu'.
'Lu' is 'rooted expanse'.In our context,it is a place,a society or a country.
So,we have a society defined by 'pa'.
14) When we say 'pa' the next thing coming to our mind is 'mit'.Just like we have done with 'paat','mit' is 'mi' oscillated or re-incarnated.So,'mit' is where the images or'mi's have their re-incarnations.
15) If we come to 'mi',we must have our encounter with 'thawai ma-nga'.
(16) Reading together (13),(14) and (15),we can deduct that we are chasing a society which is defined by 'mi' and 'thawai ma-nga'.
(17) Now,we must come to head to head with our final deduction--the Shu civilization is the present society which is defined by 'mi' and 'thawai-ma-nga'.In another words,a society defined by the number 6.
(18) Do all the above steps sound like a forced conclusion?
(19) That is a pertinent question.But what comes out with a degree of certainty during our discussion is that 'Kangla-sha' has coded messages wrapped inside its body.Our society must try to decode them.The current discussion is just one of the many decoding efforts which may come to our society in the long run.
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